Stockhausen-Rezension in Gramophone 2011: “Susteck blows air through the structures while remaining respectful to the spirit, if not the word, of Stockhausen’s original intentions. He uses percussion stops to move Stockhausen’s nursery-rhyme melodies towards the edge-cavity of noise, sounding like a music box crossed with an orchestration…Stockhausen’s melodies were originally conceived for music boxes: Susteck brings Tierkreis full circle.” (Philip Clark)